thrilled to welcome, author Hazel Gaynor who tells us of her experiences with
April. My phone rings. My heart starts to race. I’ve been waiting for the call
all day – my first live radio interview, with a station in Seattle. Ten minutes
later, it is all over and a bit of a blur. I think I sounded reasonably sane. I
managed not to swear. The kids didn’t interrupt me. One down, nineteen to go.
debut novel THE GIRL WHO CAME HOME – A
Novel of the Titanic had been published in America. Full book-promo mode
kicked in: guest posts, interviews, reviews, giveaways and, most unexpectedly,
a U.S. radio tour, came my way.
with an email from my publicist: ‘Would you be up for a radio tour to promote
the book?’ Would I what?! I expected a slot on one or two shows. It turned out
to be twenty shows, spanning the entire U.S of A. Gulp!
interviews were scheduled for 15th April to coincide with the 102nd
anniversary of the sinking of Titanic. Most were live on air. Some were
pre-recorded. I chatted to energetic morning show hosts (like the alarmingly-named,
but ever-so-lovely, Bulldog) and had more serious conversations with hosts like
Cindy Wolfe Boynton at Literary New England. I spoke about my characters,
Titanic, research, the writing process and my cat. I even managed to get in a
song request for my children.
live on air was a strange and wonderful experience. Now that I’ve had chance to
reflect, here’s a little of what I’ve learnt …
because you’re expecting important calls from America. You don’t need to keep
checking the dial tone (although, of course, you will).
you ask the kids to be while they play Hobbits downstairs, real life carries on
outside. The ice cream van will blare out ‘Pop goes the Weasel’, the neighbour
will cut his grass and someone will call the fire brigade. All you can do is
cringe, close the window and hope America can’t hear.
forget the question. Good idea to scribble them down as they are asked in case
you go off on a tangent, or have a ‘Hobbit’ unexpectedly appear and distract
streaming before you go on air. Every show is different. While you are prepared
to talk knowledgeably about Titanic and your novel, you may find the host wants
to chat about gin, Jägermeister and your cat. Really – they might.
talking and walk around. Someone once advised me to do this when I worked in an
office and had a difficult phone call to make. It works.
book – preferably several times. Saying ‘my novel’ won’t help people identify
it when they go to buy it.
the sixteen members of your family you’ve invited round for Good Friday lunch
(yes, it really happened). They’ll threaten to start heckling after they’ve
drunk all your Prosecco, but you must remain professional at all times –
i.e. retreat to the attic and ignore them.
time, or set a stopwatch. Ten minutes passes very quickly. Make your point and
don’t overrun. The stations work to tight schedules (and you have guests to
host’s name. You don’t want to thank Tom when you are now talking to Bonnie.
This is easily done when you have back-to-back segments and a ‘Hobbit’ hiding
under the desk.
of Prosecco in the fridge for when it is all over and you can collapse in a
deck chair in the garden.
my website where I’ve posted a selection of
podcasts. I’m also thrilled to be speaking at the 2014 RNA Summer Conference on
‘Romance and Disaster: Love and the Titanic’ and look forward to meeting lots
of you there!
Gaynor is a novelist and freelance writer. Her debut novel THE GIRL
WHO CAME HOME – A Novel of the Titanic was published by William Morrow
(HarperCollins) in the U.S, UK and Ireland in April 2014. Hazel is also a
guest blogger and features writer for writing.ie Originally from Yorkshire, she
now lives in Ireland with her husband, two children and an accident-prone cat.
Girl Who Came Home
brought to you by Elaine Everest and Natalie Kleinman.
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