we welcome Juliet Bell to the blog to celebrate the publication of her first
novel, The Heights.
Bell is the collaborative pen name of RNA members Janet Gover and Alison May.
was born at an RNA conference, with a chance remark about heroes who are far
from heroic. She was raised on pizza and wine during many long working lunches,
and finished her first novel over cloud storage and skype in 2017.
shares Janet and Alison’s preoccupation with misunderstood classic fiction, and
stories that explore the darker side of relationships.
You can follow Juliet on Twitter @JulietBellBooks or find out more on her website.
hundred years since Emily Brontë’s birth comes The Heights: a
modern re-telling of Wuthering Heights set in 1980s Yorkshire.
grim discovery brings DCI Lockwood to Gimmerton’s Heights Estate – a bleak
patch of Yorkshire he thought he’d left behind for good. There, he must do the
unthinkable, and ask questions about the notorious Earnshaw family.
and the Earnshaws ran riot – but old wounds remain raw. And, against his better
judgement, DCI Lockwood is soon drawn into a story.
A story of an
untameable boy, terrible rage, and two families ripped apart. A story of
passion, obsession, and dark acts of revenge. And of beautiful Cathy Earnshaw –
who now lies buried under cold white marble in the shadow of the moors.
that in mind, we suggested that Janet and Alison ask each other some questions
about their writing. Over to you Janet…
|Photo credit: Julie Cohen|
Writing a collaboration meant we had to plan what we were doing in some detail.
We became plotters which is not the way you normally write. What was the
hardest part about that and what was easier than you expected?
normally a planner. Generally, as a writer, I’m the queen of ‘getting a vague
idea and then just writing until it’s book length and hoping for the best.’ For
a collaboration, that doesn’t work, because it means you’re forever accidentally
killing people off that your writing partner might have been intending to
feature in the next chapter.
plan much more difficult. For me that sense of possibility and the unknown is a
big part of what motivates me to keep writing – if I know exactly what’s coming
next all the way to the end, why would I need to write the book? But I guess
what made up for that was the fact that there was half a book out there
somewhere being written without me. Sure – I knew the story and what events
would take place in those chapters, but I didn’t know exactly how Janet would
put them down on the page. I think that kept the sense of mystery alive.
After we decided to adapt Wuthering Heights, we both reread the original. Was
there anything when you reread it that you had forgotten or that surprised you?
thought of Wuthering Heights as a romantic novel, and I’ve certainly never seen
Heathcliff as a romantic hero – although I know some readers do. But even
beyond that I was stunned by how bleak a lot of the story is, and how
self-involved even the ‘nicer’ characters are.
wanting to shake pretty much everyone on the page, which sounds like it should
probably mean that I didn’t like the book. That’s not the case at all. I love
Wuthering Heights – it’s big and ambitious and all-consuming, but it’s also
unrelenting, and I think I’d forgotten that unrelenting darkness.
We use Skype and online storage when we write together, because we live in
different parts of the country and are both a bit geeky. What piece of
technology do you love most – and hate most?
as a ‘piece of technology’ but it’s the same answer for love and hate – social
media! Twitter, facebook, Instagram – I have a love-hate relationship with them
all. I love being connected to friends and family so easily. Being a writer
involves a lot – A LOT – of time spent on your own inside your own imagination.
It’s really easy to get very isolated, very quickly, and chatting on Twitter
and Facebook is a massive help with that.
and it pushes crises from around the world into your eyeballs in real-time in a
way that I really don’t think the human psyche is evolved to deal with, and it
invites you to compare yourself with everyone else’s (carefully edited) social
media perfect lives.
ought to go social media cold turkey, but then I get a message from a mate I’ve
not seen for months, or read a really interesting Twitter thread about Harry
Potter, or feel in desperate need of a picture of an otter, and thoughts of
stepping away are instantly forgotten again.
|Photo credit: Julie Cohen|
get started writing fiction? I know you were a journalist – what led you into
making up, rather than reporting, stories?
around. I always wanted to make up stories. I think I wrote my first ‘book’
when I was about 9 years old. I typed it on my parent’s typewriter, and made a
cover for it with a drawing of a pony and the title in fancy font. My parents
were practical people and realized that making a living as an author isn’t
guaranteed or easy. They encouraged me to find another way of fulfilling my
need to write while paying my bills. Journalism did that.
on-the-road reporter into management, so I wasn’t actually writing any more.
That was when I seriously started writing fiction. It’s much harder and much
more fun that writing facts, but in its own way, much more rewarding.
adaptation – what is it about that book that captured your imagination?
of Australia. The snow storms and rain and mists of the Yorkshire moors were very
different from my hot dry world, but had much of the same feeling of wildness.
I love wild places, wild animals and I guess by extension the wild souls of
Cathy and Heathcliff.
themes, love and hate, isolation and prejudice, dysfunctional families and
abuse and… well the list goes on. Any one of these themes is thought provoking,
but finding so much in one book is amazing. Every time I read it, something
different captures my imagination. There are scenes and phrases from the book
that have never left me.
characters – they’re all deeply associated to the place where they live. I
think of you as a bit of a citizen of the world – you’ve lived in Australia,
the UK and New York and worked all over the world. Where do you think of as
every few years when I was small, and Australia certainly has a lot of space to
move around in. I’ve spent so much time in hotels in about 50 different
countries in my day job, I even say I’m going home when I head back to the
hotel at the end of the day. I guess home isn’t really a physical place in my
head. Home is where I can relax and be myself, be with people I care about and
there is often a cat involved.
London. It is an amazing city. A few weeks every year I go home to Australia
where I wake to the sound of kookaburras laughing in the gum trees and often
find a kangaroo near the house (yes – seriously). It probably sounds corny, but I guess “home”
is all the places that have made me the person I am.
|Photo credit: Julie Cohen|
grew up in a small Queensland country town, surrounded by books. After studying
at Queensland University she became a television journalist, first in
Australia, then in Asia and Europe. During her career Janet saw and did a lot
of unusual things. She has met one Pope, a few movie stars and is on first name
terms with a dolphin. She now works with television technology and travels
extensively with her job, including some unusual destinations such as Iraq,
Kazakhstan and the Kingdom of Lesotho. While living in Hong Kong, she met an
Englishman, whom she subsequently married and she now lives in West London.
fiction was published in 2002 – a short story inspired by a holiday in Wales.
Her first novel was published in 2009. She now has ten published novels, one of
which won the RNA RoNA Award for an epic romantic novel in 2017.
You can find out more about Janet on her website, or on facebook or by following @janet_gover on Twitter.
Alison May is
a novelist and short story writer. She lives in Worcestershire with her
husband, no kids and no pets. There were goldfish once. That ended badly.
romantic comedies and commercial women’s fiction, and has been shortlisted in
the Love Stories and RoNA Awards. Her next solo novel, All That Was Lost, will
be released this autumn by Legend Press.
qualified teacher with a degree in Creative Writing and runs novel writing
workshops and courses. Alison is currently Vice-Chair of the RNA.
You can find
out more about Alison on her website, or on facebook or by following @MsAlisonMay on Twitter.